Postavené z toho, čo mali

Kaplnka na ostrovčeku Lamb Holm sú dva vojenské baraky postavené za sebou, čo si každý všimne ako prvé a zapamätá ako posledné. Keď Polly prišla, práve ju odomykal správca, neponáhľajúci sa muž so zväzkom kľúčov. "Aké máte zamestnanie?" spýtala sa ho a on odpovedal, že ráno otvára dvere, večer ich zatvára a medzitým premaľúva to, čo zožral slaný vzduch.

The chapel on Lamb Holm is two army huts end to end, which is the first thing anyone notices and the last thing anyone remembers. A caretaker was unlocking it when Polly arrived, an unhurried man with a ring of keys. "What is your job?" she asked him, and he said he opened the doors in the morning, closed them at night, and repainted what the salt air took off in between.

Vnútri baraky zmiznú. Talianskych vojnových zajatcov sem priviezli v štyridsiatych rokoch dvadsiateho storočia, aby stavali morské hrádze, a oni požiadali o miesto, kde by sa mohli modliť. Dostali vlnitý plech. Urobili z neho klenutý strop, kamenný presbytár, kovanú mrežu a maľovaný oltárny obraz, a viedol tú prácu jeden z nich, maliar menom Domenico Chiocchetti.

Inside, the huts disappear. Italian prisoners of war were brought here in the nineteen forties to work on the sea barriers, and they asked for somewhere to worship. What they got was corrugated metal. What they made of it was a vaulted ceiling, a stone chancel, a wrought iron screen and a painted altarpiece, and one of them, a painter named Domenico Chiocchetti, led the work.

"Čo potrebujete na dokončenie práce?" je otázka, na ktorú si tábor musel odpovedať sám. Požiadali o cement a cement dostali. Všetko ostatné vzniklo z toho, čo tábor vyhadzoval. Mreža je zo šrotu kovaného za studena. Svietniky sú z konzerv od mäsa. Kameň presbytéria je sadrokartón, natretý tak starostlivo, že sa musíte nakloniť bližšie, kým to prizná.

"What do you need to complete the work?" is the question the camp had to answer. They asked for cement, and were given cement. Everything else came out of what the camp was throwing away. The screen is scrap iron worked cold. The candle holders are corned beef tins. The stone of the chancel is plasterboard, painted so carefully that you have to lean in before it admits what it is.

Správca nechal na parapete malé ručné náradie. "Mohli by ste mi ukázať, ako sa používa tento nástroj?" spýtala sa Polly, on jej to ukázal a vysvetlenie jej prvý raz ušlo. "Mohli by ste to vysvetliť ešte raz?" Aj to urobil. Potom sa vrátil k svojej farbe a Polly zdvihla oči k stropu, ktorý je z rovného plechu, tvári sa ako klenba a tú pretvárku udrží z každého miesta v tej miestnosti.

The caretaker had left a small hand tool on the sill. "Could you show me how to use this tool?" Polly asked, and he did, and the explanation went past her the first time. "Could you explain that again?" He did that too. Then he went back to his paint, and Polly looked up at a ceiling that is flat metal pretending to be a curve, and holds the pretence from every seat in the room.